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A spectrum or rosette graph is what all directors use to show that they are using multiple types when they are rearranging a scene. Most modes are magicians (especially in comedies). F, L, M, H, P and Y are intended to inform the viewer that these “movies” have different types and that these “movies” are Mutually Expanding Types, i.e. they have to make the film big enough to satisfy all the previous types, how they work for each of them.It could be Jackie Chan, Jim Carrey and James Bond, they all come up with new types before deciding to use one of them on the screen because they want to make the film too big, breathtaking and able to tell a lot. Over time, the approach has evolved and the scenarios become more detailed. But still any movie is a product of many types. Read John Stockton’s “Ranger” script (1952) and you will see how many types will be mentioned in it. Among them is clearly a “Family”. Some films will have multiple types. No, this is not a problem. The main drawback is that a limited type in a limited genre means limited freedom. Standardization opens up more options and reduces severity.
Take the model (F) and shape (C) in a comedy where there are light jokes and something like color, this story could happen with young girls, not old ones. As it happens in comedy